My Little Bazaar

caprileothevirgin:

fer1972:

Skull Spoons

1. By Pinky Diablo

2. By Boneseye View

Could be witchy.

(via themidnightblues)

queensassyofthefatties:

Lewis’s law is an observation she made in 2012 that states “the comments on any article about feminism justify feminism.” Lewis has written frequently about misogynist hate directed at women online.^[8]

Can we just repeat that a few more times, 

“The comments on any article about feminism justify feminism.”

“The comments on any article about feminism justify feminism.”

(Source: pinkwithlace, via bittersweetart)

theartofanimation:

Chuck Groenink

(via somethingforart)

likeafieldmouse:

Nadav Kander - Yangtze: The Long River (2009-12)

“Finishing Yangtze: The Long River required three years and five trips to China, ‘a place that is moving and changing so fast that it can only be unnatural,’ [Kander] said.

In 2005, around the time Mr. Kander started thinking about the project, he was intrigued by China’s rapid growth and constant change. ‘It was a place that I wanted to stand in,’ he said.

The Yangtze, flowing nearly 4,000 miles from Qinghai Province to the East China Sea, seemed a natural yet challenging path to trace.

‘I love the metaphor of water,’ Mr. Kander said. ‘Like life, like humanness, it becomes a cloud. It’s an ever-changing cycle. I find it comforting.’

Because what he was seeing wasn’t so much about China — grand structures or tourist vistas — as it was about compassion. He saw a beauty in the moments he witnessed, as people lived out their daily lives and traditions in circumstances so much different from his own.

‘It’s much more about what you don’t show than what you do show,’ he said. ‘I think work that asks you to question what more there is is much more interesting.’”

(via underwaterwoods)

unknowneditors:

The Beautiful Mystery of Chie Aoki’s Work

Chie Aoki’s sculptures are very mysterious and so is the artist. There’s a complete loss of identity in the glistening black faceless forms. Aoki is an exception to the rule that an artist has to have information, a website, and gallery exhibitions that are available to peruse online, instead there is hardly a trace of the artist’s identity available the web. This unusual lack of a significant online presence seems to continue the underlying theme of these beautiful sculptures; that they are a mystery and the work speaks itself.

Unknown Editors | Facebook

(via flopifou)

thehobbitbard:

steampunkgasoline:

(X)

Looks like home

(via sourpoppyseed)